A group of college friends — some of whom play football and wear cheer leader outfits for a high school, because that isn’t confusing — accidentally break an evil urn in an occult gift shop. As the dust settles they inadvertently create a horrible curse — is there any other kind — UPON THEMSELVES!
As a result of the malediction, everyone they make eye contact with will kill themselves and then become “Zemons” — a combination of ZombieDemons — and the high school college kids only have 24 hours to reverse the curse! With the fate of the entire world resting on their shoulders, our heroes race through the night armed with a slew of homemade weapons, avoiding eye contact and hickeys, and filling their shopping list of items needed to reverse their curse. Will they be able to reverse the curse and save the day, or will all of humanity be Dead Before Dawn?
Dead Before Dawn is not a serious zombie film.
If you come away from DBD thinking, “You know, as serious films of the zombie genre go … that sucked!” I read reviews that essentially said this, and those people MISSED THE POINT.
Spoof – A humorous imitation of something, typically a film or a particular genre of film, in which its characteristic features are exaggerated for comic effect.
Dead Before Dawn is similar to Z Nation — they’re intentionally trying to be goofy and make fun of comedy zombie films (see “parody“). For me this was an unexpected film and looked like what films of this sort should be — fun to make. It made me feel like I was watching Fido for the first time again.
Give this blood-soaked adventurehorror–comedy a watch — it’s an unexpected fun zombie-demon flick from Canada, great for a laid-back kick-back chuckle with friends.
Written by Tim Doiron and directed by April Mullen, it stars a bunch of folks I’m not familiar with and presume are Canadian along with Christopher Lloyd — who I will always think of as Emmett “Doc” Brown. 88 minutes long, this is the first ever live-action, 100% Canadian feature film to be shot in Stereoscopic 3-D. Filmed in 20 days in and around the Niagara Falls region of Canada in 2011, it features occasional adult humor and it achieves being a fun film without revealing adult body parts frequently found in zombie films.
I rate Dead Before Dawn — drum roll please — Green Ooze! Maybe moderately green, but definitely green — good job Canucks!
The book begins dark, mysterious, and energetic. About a dozen Navy SEALs parachute into Nigeria to rescue a team of Army Rangers who preceded them. While they have their mission details, what they don’t have is intel on what exactly they’re getting into. Shortly after they arrive they find out they’re in the middle of a zombie outbreak!
Beyond that, I will not give spoilers.
Here’s the great thing I found about L.T. Ryan’s writing…
Affliction Z: Patient Zero felt like reconnecting with a old friend — familiar and yet exciting discoveries from the unfamiliar interim. I would like to say that I couldn’t put this book down, but that isn’t the case. It has nothing to do with Ryan’s writing, it’s just that I’m a busy guy and binge-reading simply is not an option. To me there were attributes I found similar to The Da Vinci Code by Dan Brown. Chiefly, its pace presses forward and that resonates well with me — every time I picked up my e-reader this Affliction Z book would take off again!
Elements I Particularly Enjoyed
The military references and other particular details seem spot on. While reading I wondered if Ryan researched these or interviewed experts to get these right.
The chapters are easily read in chunks — this is good for a person who loves to read yet doesn’t have much time.
The situation the military guys are in is palpable! For me it pops off the e-page. I feel that I’m there with them in an unclear and unpredictable situation.
I’m always looking for something new when it comes to zombies. Ryan presents possibilities I had never imagined for the character of the zombies — not just what their capabilities are and how the outbreak has occurred but also why.
L.T. Ryan has quite a few books and series of books to his credit — and after the first book out of his Affliction Z series, I want more! There are two other Affliction Z books and Ryan just released book four — titled “The Sickness of Ron Winters“. I’d like to get my hands on Affliction Z: Abandoned Hope (2013) and Affliction Z: Descended in Blood (2014) first.
Juan Of The Dead (AKA Juan de los Muertos) is fun Spanish-Cuban zombie comedy. If you’re like me, you just gotta appreciate a Z-film that shows its first zombie kill in under three minutes into the story development. Oh yes, it may be a new record!
Without any explanation zombies appear in Cuba and start eating people. Middle-aged slacker Jaun, along with his fellow small-time crooks and deadbeats, take to the streets of Havana to face an army of the undead. Emergency news reports are broadcast amid the chaos… The surge of living-dead have been identified as ‘dissidents’ revolting against the Cuban government. The regime accuses the USA for the attack. Everything is under control even when nothing is being done. Seeing opportunity, Jaun gathers and trains his friends to be zombie killers and starts a business called “Juan Of The Dead — We’ll kill your loved ones”.
For those familiar with the Cuban regime and its people, the movie is a hard critic to both — which is why it was never released in Cuba and apparently was only shown on-screen at film festivals. Juan Of The Dead attempts to mock every cinematic clichés (daughter hating father, friend about to die, farewell , even Matrix-style fights). The nuances of Cuban humor can get lost-in-translation to non-Spanish speakers — for example — in one of the most celebrated jokes, Juan is asked to kill a cow but he refuses because it is too dangerous; In Cuba killing a cow is worse crime than killing people.
Zombie film fans will will be pleasantly surprised with this film especially with seeing fun nods to Shaun Of The Dead. There was one thing I saw in particular that I have seen in another zombie film*. The film is in Spanish and subtitled — sorry, no over-dubs. This film is Not Rated, and aside from the zombie gore and violence there is some nudity (including z-film boobs) and adult humor/topics. Oh — and how do I rate Juan Of The Dead ? … Light Green to full Green. (*Select this line to read the spoiler –> Underwater zombies walking on the ocean floor that seem to be able to swim up if it means getting a bite … though that bite could come from a shark! Oh yeah, this was also done in Pirates Of The Caribbean. <– all the way to here)
Have you ever had the experience where someone you know excitedly says “Hey, ya gotta see this film!“? Then once you watch it you’re left thinking “What the heck was that about?”, or worse “There is something SERIOUSLY WRONG with my friend!” Welcome to to World of the Dead: The Zombie Diaries 2.
Immediately you can tell that this project has a higher budget and is visually more satisfying than the 2006 predecessor. Then you get into the story and you start to see the problems…
The first thing you notice — as with the original film — is that the DVD cover is once again horribly misleading. The cover art looks better than the film, and it represents something other than the content of the film.
The zombies feel very non-threatening — even less than in the original film. The make-up is insufficient, the scares nearly non-existent, and the zombies are often so stiff they would be played better by untrained department store mannequins. Add to that, when it comes to shooting the zombies I get the impression that the British film makers don’t have a clue as to what firearms sound like anymore (especially in the scene pictured). The firearm sound effects left me non-pulsed — perhaps they were just the on-location recording of the blanks the actors were firing.
The biggest downfall of the movie…
… aside from the emaciated plot and the you-are-there hand-held cinematography — are some of the specific content choices that film makers Michael Bartlett and Kevin Gates included. Various gangs of survivors prove to be even more vile than the zombies. This is well summed up in a review by FlickeringMyth.com when they wrote…
“There are a couple of, frankly, unneeded rape scenes (one on a female zombie) that just felt like Bartlett and Gates wanted to do some kind of rape revenge film, but gave up and worked zombies into it”.
Frankly it left this bagpiper & humble amateur zombie-film reviewer astounded. I cannot recall feeling this disturbed by any zombie film I have previously seen. This content included a challenged young man bullied into delivering a beating upon one of the primary male characters, and then pushed into committing a graphic rape/murder on one of the female primaries. I have to wonder where the writer and his co-director think that this was appropriate, or fit within the film! I also have to wonder about the actors (or even the crew) assuming they saw the script before they agreed to do the film — why would they participate in bringing this film to fruition?
Is there any redemption for this film?
There are elements to this film that really work — the albeit over-used zombie-trope military element, the military and civilian survivors trying to escape from England, and the guys who ambiguously appear wearing protective suits and gas masks. However it seems as though Bartlett and Gates thought that their ideas were so great — so sound — that they didn’t think to check their script or finished film with a third party. And if they did, they didn’t listen to them say “There’s some good stuff here, but over all THIS IS A BAD IDEA.” Or maybe they just half-assed it and figured this would fill a feature. In the end, it is as The Daily Mail described the film, it’s an “88 minute waste of electricity.”, and I rate it Red Blood.
Seriously, I’m starting to think I ought to make a list titled “Zombie Films To Avoid Watching“. Do you think I would have this one on it? YOU BETTER BELIEVE IT!
WOW, where to start? How about my rating for the 2006 film “Zombie Diaries” … Frankly, I’ve flip-flopped. Originally I gave it a yellow puss — very pale yellow puss. When I started watching the 2011 sequel I dropped it to a red blood. And then I saw more of the sequel and boosted the original flick back to yellow. Yep, that’s right, the first film is better than the second in this humble bagpiper’s opinion!
The back of the DVD case cites The Dark Side (whatever that is) as having said that this is “The best zombie film ever.”* If that’s the case, I’m giving up on zombie films. Fortunately, the are patently wrong in this regard.
(*I tried to find the specific article on their site without luck… did they change their mind, delete their review, and disassociate themselves with this film entirely?)
THE GOOD NEWS
This film could serve as insights to people’s different experiences before Jim wakes up in 28 Days Later — although this isn’t possible according to Wikipedia since “The second chapter, “The Scavengers”, takes place one month later.“, and the third chapter presumably takes place later still.
THE BAD NEWS
Imagine if you will Blair Witch Project (otherwise known as the worst bad filmever) but with the actual presence of a horror threat — in this case smatterings of amateur-actor zombies. Instead of a couple of Blair Witch guys screaming at nothing and pissing themselves like millennials, you get the audiobook version of World War Z giving insights to various people and their experiences as things fell apart due to the outbreak or mass presence of zombies. All of this is done in a you-are-there found-footage hand-held-documentary filming format … which I often find annoying because the filming is overly jerky and the audio is incredibly noisy with hyper yelling. In this case this looks like a an amateur film with decent execution
The film doesn’t begin to get interesting until 14 minutes in. It possibly starts to interconnect around 37 minutes. Perhaps one of the best things about it is that it gets an interesting look around 39 minutes when the visual switches to night vision.
Otherwise, what do you have in this film? Bickering Brits, who, if not for zombies taking over the world, would be complaining about Americans and claiming that they’re SO much better and nothing like us …. except for the bickering, complaining, and conceitedness, all-in-all failing to acknowledge that everywhere you go people are just people. Yep, everyone sucks just as much as everyone else everywhere else, including English people and even Canadians … but especially people in France. In truth, between the rigors of long term survival along with death and fighting off zombies, the stress level in such a situation would be pretty high so bickering seems realistic. The other thing that’s bogus — and common in movies — is that the characters are complaining about not having enough guns in a country where guns are highly restricted, and yet they’re instantly pretty damn good shots for people who are unaccustomed to firearms.
THE YOU-ARE-THERE PROBLEM
One of the things I keep thinking over and over which applies to this film and any you-are-there hand-held film — and I’m sure I’m not the first to ask this — why would anyone film all of this stuff?!? Everyone one of these types of films need to justify this, few if any of them do. Similarly, particularly a story that takes place a number of months, a year, more than one year, whatever — why are these folks bothering to still record, especially when they must be running out of film or disc storage space, how are they continuing to power their devices, eventually why would they bother? While the hand-held you-are-there style film making has a certain feel and effect, to a degree it is also cheaper to make, which may also be a motivator behind writing/creating a story in this fashion. Mostly, I just don’t think it works all that well or at least to say as often as these films come out.
Hopefully the 2011 sequel — World of the Dead: The Zombie Diaries — is better. But then you got to wonder about a crummy film that gets the juice behind it to make a sequel … Did other audience members think it was good enough to support a second film? Are the film makers deluded or trying to fix their errors from the first film? Did I leave the stove on? Is the redhead at work flirting with me or does she flirt with everyone? Instead of using gel I wonder if I could use wood glue in my hair and then only have to style it once a week?
Today I attended the memorial of Lieutenant Colonel (Ret) Robert D. Parrish — a good man I only met a handful of times, and to me was simply Bob.
My first impression of Bob came a little over ten years ago while in Olympia, Washington. A number of individuals from the local Scottish community held a gathering on the steps of the state capitol to observe National Tartan Day — my duty was to perform as a soloist, further bringing attention to the heritage with our distinct music.
After our ceremony we went to a local restaurant, and since we had a sizable group we were seated in the banquet room. Among the people I sat with was a fellow and his wife. This fellow proceeded to show off his sharp machine-gun wit, cracking jokes about anything and everything that came up — half of his jokes involved his wife — these left me agape, however she barely seemed to notice. He was clearly a part of the Scottish-American military contingent, wearing a green shirt presenting a number of ribbons. On the other side of his chest was a tag that read PARRISH — I was trying to figure out if it was his name or if he was military clergy … but if he was clergy how could he have all these ribbons, and how could he possibly be making such wild jokes?!?
When we finished with lunch our server came around with our individual bills — except I didn’t seem to have one. I asked the server and I was told that my bill had been taken care of. Everyone in the room noticed this, so I took the moment to say thank you and asked who did this so I may thank them directly. I looked around the room and when I came around to Bob he looked me square in the eye and said, “I did. I appreciate your playing today — thank you.” He barley knew me and he bought me lunch; in content it was perhaps a small thing but in context he took it personally that I had been of service to the group and to the heritage, and in doing so he helped show me gratitude.
In the years that followed I saw Bob at various events. Every time he saw me after that first time he’d greet me with a smile and energetically belt out “How ya doin’, young man?” Bob could be highly serious, yet he always retained his smile and wicked sense of humor.
Four or five years ago I told a friend of mine in the Scottish community that I was considering joining the local chapter of the Scottish American Military Society (SAMS) to honor my WWII grandfathers. She replied that it was a great organization that she thought I would fit in well with, and that it had quite a few good men and women “…like Bob Parrish, and … and … and …” Each name that she gave was a reputable individual whom I recognized and respected, and the first person she thought to name was Bob. He never knew, but I joined SAMS Post 1889 in part because Bob Parrish was a member.
I spoke on the phone with that same friend this past week. When I found out that we were both planning to attend his memorial I reflected on my first impression of Bob. She replied, “Yes, he could be a very generous man.” — she was right, and posthumously Bob further taught me about generosity.
I learned today that Bob was a twice published author. From the family and friends who shared about him I learned that he pushed himself to be a better person and he pushed those around him to be better. There was a long list of respected organizations that he was a part of represented by the people in attendance at the memorial spoke about him. The Lakewood chief of police was in attendance. There was a lot of laughter as people shared stories about him — they weren’t so much sad about his passing but happy that their lives were touched by him. These people affirmed what I already thought about Bob — the line about how a good man elevates himself, and a great man elevates those around him.
As a final connection, I was honored to be a pall bearer along side the good men and women of SAMS Post 1889.
Bob, thank you for you many gifts. If I ever get the opportunity I will pipe at your graveside in Arlington National Cemetery, where some of the finest men I have known and have been an influence on me are laid to rest.
LTC (Ret) Robert D. Parrish, US Army
September 6, 1940 – February 16, 2018
Raise your hand if you are personally familiar with how much the first half of the 1980s sucked. If you’re not raising your hand, watch this film. Oh, and by the way, I rated Night of the Comet as Yellow Puss.
I’m not sure if this film was supposed to be a serious Z-horror flick in its day or if the producers were taking a bit of a jab at the period — commercial music, warmed-over 1970s fashion, big bad hair, excess consumerism and narcissism, and … like … valley girls! Still, ya gotta love the superficial cult-film line of “Daddy would have gotten us Uzis!” and seeing Robert Beltran cut his teeth before he was the respectable Chakotay on Star Trek’s Voyager.
A comet from deep space passes through Earth’s atmosphere while everyone — not just Eddie Murphy — wanted Michael Jackson’s red leather jacket. Bright red dust from the comet pollutes the atmosphere, vaporizing people who were directly exposed while turning those with little exposure into cognizant talking mutants (er, I mean, zombies), and probably inspiring the survivors to start neon fashion that came soon after.
… Night of the Comet is devoid of nudity &/or depicting sex. In place of that the under-age sister-character is viewed twice in undergarments, which when you think about it feels pervy. Still, the romantic relationship in Hard Rock Zombies is WAY more disturbing.
This Z-film falls under the it’s-so-bad-it’s-good classification, and I suspect could be great if it got the Dawn Of The Dead remake treatment, but in present form doesn’t particularly hold my attention. While watching this flick I tend to wonder “If this was shot in LA, how did the production get empty streets? And if most of the population died instantly due to a passing destructive comet, it sure was nice of everyone to park their cars first … except for that one jerk with the Mercedes. Maybe this didn’t take place in LA but in Canada where everyone parks their cars before a comet causes an apocalypse.”
So there you go — Night of the Comet — put that in your coffee and drink it!
I own both of these films. In my opinion the 1978 Dawn of the Dead hurts — it’s poorly made, the make-up looks like garbage, and if the zombie extras were volunteers I would say that they were over-paid. In fairness, this is typical of 1970s zombie films — there weren’t all that $upported.
By contrast, I thought the remake Dawn of the Dead was a considerably better film, but after seeing the extras I think that some of the reenacted lines and details that were cut from the original film would have made the remake better. If you’re watching the 2004 version on DVD, be sure to see the extras about the guy who owns the gun store — oh, and don’t skip the credits at the end of the film.
The premise of both of these films …
At the Dawn of the Dead people wake up and the zombie apocalypse has started. Some people do the journey thing and take shelter in a mall that was closed when the everything started breaking down. On one hand they have everything they need in the mall and everything they didn’t have before, they have things pretty easy … on the other hand, their feeling of security proves to be an illusion when people — living or dead — start to find their shelter.
Don’t bother with Nightmare Alley. My impression of this “film” is that some people in the same apartment complex got together and made this film — shooting it, acting it, writing it, producing it — everything. There are some zombie cowboys in the first vignette, but the whole thing is maybe at best only worth lining the bottom of a trash can. Nightmare Alley (2010)
As soon as I started watching Raiders of the Damned I noted a newly-learned familiar stink. YEP … this film gets rated Red Blood.
This should be an ideal film for me — containing both zombies and Sci-Fi — but this is made by a garbage movie company called The Asylum, which LARGELY JUST RIPS OFF OTHER FILMS.
Garbage, Garbage, Garbage…
The zombie costumes & weapons are laughable, and their make-up is just plain bad. The lacking story line is only outdone by the dribbling charactre development — and posturing of hokey military badassedness. The description sounds like it should have something, but it just isn’t there.
When all is said and done, this film too will make no careers of its unknown actors who either can’t act or lack worthy direction, nor will this film win an Oscar … hell, it might be so bad it wouldn’t even win acknowledgement from The Razzies.
Even when it’s bad Z/B-film, for the sake of these reviews & my project I tend to finish a flick even if I am not directly watching it, but I shut this one off 20 minutes in — the people who want to see something that will make SyFy Channel films look good can have the additional 67 minutes.