Raise your hand if you are personally familiar with how much the first half of the 1980s sucked. If you’re not raising your hand, watch this film. Oh, and by the way, I rated Night of the Comet as Yellow Puss.
I’m not sure if this film was supposed to be a serious Z-horror flick in its day or if the producers were taking a bit of a jab at the period — commercial music, warmed-over 1970s fashion, big bad hair, excess consumerism and narcissism, and … like … valley girls! Still, ya gotta love the superficial cult-film line of “Daddy would have gotten us Uzis!” and seeing Robert Beltran cut his teeth before he was the respectable Chakotay on Star Trek’s Voyager.
A comet from deep space passes through Earth’s atmosphere while everyone — not just Eddie Murphy — wanted Michael Jackson’s red leather jacket. Bright red dust from the comet pollutes the atmosphere, vaporizing people who were directly exposed while turning those with little exposure into cognizant talking mutants (er, I mean, zombies), and probably inspiring the survivors to start neon fashion that came soon after.
Refreshingly, this film is devoid of nudity &/or depicting sex; in place of that the under-age sister character is viewed twice in undergarments, which when you think about it feels pervy. Still, the romantic relationship in Hard Rock Zombies is more disturbing.
This Z-film falls under the it’s-so-bad-it’s-good classification, and I suspect could be great if it got the Dawn Of The Dead remake treatment, but in present form doesn’t particularly hold my attention. While watching this flick I tend to wonder “If this was shot in LA, how did the production get empty streets? And if most of the population died instantly due to a passing destructive comet, it sure was nice of everyone to park their cars first … except for that one jerk with the Mercedes. Maybe this didn’t take place in LA but in Canada where everyone parks their cars before a comet causes an apocalypse.”
So there you go — Night of the Comet — put that in your coffee and drink it.
I own both of these films. In my opinion the 1978 film hurts — it’s poorly made, the make-up looks like garbage, and if the zombie extras were volunteers I would say that they were over-paid.
By contrast, I thought the remake was a considerably better film, but after seeing the extras I think that some of the lines and details that were cut from the original film would have made the remake better. If you’re watching the 2004 version on DVD, be sure to see the extras about the guy who owns the gun store — oh, and don’t skip the credits at the end of the film.
The premise of both of these films … the zombie apocalypse has started. Some people end up taking shelter in a mall that was closed when the everything started breaking down. On one hand they have everything they need and everything they didn’t have before, they have things pretty easy … on the other hand, their feeling of security proves to be an illusion when people — living or dead — start to find their shelter.
My impression of this “film” is that some people in the same apartment complex got together and made this film — shooting it, acting it, writing it, producing it — everything. There are some zombie cowboys in the first vignette, but the whole thing is maybe at best only worth lining the bottom of a trash can.
As soon as I started watching this film I noted a newly-learned familiar stink. YEP … this film gets rated Red Blood.
This should be an ideal film for me, containing both zombies and SciFi, but this is made by a garbage movie company called The Asylum, which LARGELY JUST RIPS OFF OTHER FILMS.
The zombie costumes & weapons are laughable, and their make-up is just plain bad. The lacking story line is only outdone by the dribbling charactre development — and posturing of hokey military badassedness. The description sounds like it should have something, but it just isn’t there.
When all is said and done, this film too will make no careers of its unknown actors who either can’t act or lack worthy direction, nor will this film win an Oscar … hell, it might be so bad it wouldn’t even win acknowledgement from The Razzies.
Even when it’s bad Z/B-film, for the sake of these reviews & my project I tend to finish a flick even if I am not directly watching it, but I shut this one off 20 minutes in — the people who want to see something that will make SyFy Channel films look good can have the additional 67 minutes.
From the start this is clearly a B-film Z-film taking place in somewhere rural-America, and while the graphic quality looks B and the actors seem like unknowns, it also seems that everyone knows what they’re doing. It’s as though you’re watching a reality period piece from the late-1980s, but shot with the same technology of the time … maybe early 90s.
Why isn’t there anything decent to eat in my kitchen? … Oh yeah, because I need to go to the grocery store. My point is there are impressive aspects to this film, but it didn’t adequately hold my attention. I rate it Yellow Puss.
The Return of the Living Dead III was neither a terrible or great Zombie movie, so I rate it Yellow Puss. But first, what happened…
A teen uses an Army chemical to revive his dead girlfriend after a motorcycle accident.
Okay, it was a little more complex than that. Government scientists are trying to use the 2-4-5 Trioxin substance from previous films to re-animate the dead for military use. Curt, the teenage son of the program director, comes to learn of the process. Later he and his girlfriend, Julie, get into an accident while riding his motorcycle — during which she dies. Grief-stricken, Curt uses some Trioxin to bring Julie back to life. He then helps Julie deal with her new existence as military agents and local gang members try to track them down — and Julie becomes … Hungry for BRAINS.
ROTLD3 bears little resemblance to its predecessors — both good and bad. It drops the comedy in the previous films, replacing it with horror, science fiction, and romance. The Trioxin substance is carried over, but with different effects than in the previous films. These zombies infect their victims by biting them whereas in the previous films only exposure to Trioxin (as a gas or in exposed water) could turn a corpse into a zombie.
Remember at the beginning of this post where I wrote that I viewed this as neither a terrible or great Zombie movie? It was campy, it was made for around $2M and flopped at the US box office making only $54,207, and much of the delivery could have been better timed.
To its credit however…. the film offered a few a few new things to me from zombie films.
If you have read my other posts you know that I generally dislike when Z-films make cognizant zombies. In ROTLD III the film presents a reasonable way that a zombie could have though, could have awareness, and could speak.
One of the main characters — Julie, played by Mindy Clarke or better known as Melinda Clarke — becomes the zombie, and the story follows her experience. Instead of an anonymous mass of zombies being a looming threatening presence that occasionally comes around to move the story along, this zombie is always present and is not exactly the ‘evil’ in the mix of the story. There are other zombie films I am aware of that follow a main-character zombie, however I have not yet seen one of these.
The zombie is female and remains (well, more or less) attractive. She has awareness of her past and present emotions, and that she has started having problems with sensing any sensation when she touches something. In her confusion she begins to modify her body with first small and then large piercings (which was all the rage yet around that time) which ultimately she can use as weapons.
Also if you have read my other posts you know that I make commentary on gratuitous displays of women’s’ breasts. Let’s be clear on something here …. it’s not that I mind or dislike women’s breasts — being a heterosexual male, I prefer them. Gratuitous display of women’s breasts are common in zombie films BECAUSE IT TENDS TO HELP SELL TICKETS in a genre that is often low-budget and not as attractive to ticket-buying audience members. Seeing a lot of these films, I’ve seen a lot of these breasts, and it just gets old — okay?!? That said….
In ROTLD III you see Julie/Melinda Clarke’s 24 year-old human and zombie breasts. Rare, if ever, have I seen female zombie breasts. As zombies go, they weren’t disgusting. As humans go …. uh, yeah, better still. (And if you REALLY need to see Julie/Melinda Clarke’s zombie breasts, FINE, here ya go … ya wanker.)
Now, you might be asking yourself “Who is Melinda Clarke?” and/or “Why is BagpiperDon drawing so much attention to this chick?!?” The answer to that is simple — she may be the only person from this film who made it ANYWHERE in the TV/film industry. Quite frankly, I didn’t recognize her in this ROTLD III. I know her from a number of things — I’ve seen her, recognized her, but I’ve never known who she is. I know Melinda Clarke from the 2002/03 Firefly TV series as Nandi “Heart of Gold”. I’ve seen her as Lady Heather in CSI. Any time I’ve seen her she’s played stable-footed woman who is a palpable presence.
I found “Severed: Forest of the Dead” to be Green Ooze most of the way through turning to Yellow Puss around the end.
…Summary… In a remote forest a genetic experiment has gone wrong. Loggers and protesters are forced to band together after tree sap incident turns the locals into bloodthirsty zombies.
(A review written while watching the film….)
It appears that this movie has sufficient money behind it, and not stars but instead budding actors who I have previously seen laying the ground-work for their careers. From what I have read and can tell so far, in this film once again something that people have been doing scientifically had an unforeseen accidental consequence that upon a 1 in 100 chance occurred and started causing people to turn into zombies. The film seems to have good visual quality and works suspense and horror — at the moment I’m only 20 minutes in but it looks to be a good one.
– UPDATE –
I am now around the last fifth of the film and it is somewhat dragging; the story-line goes into ideas that do not get completed … as though the editor started to loose their attention to detail or cut out part of a scene that could have been mostly or completely cut.
….Okay…. and I just finished the film — maybe I missed something since I was working on a small project while watching, but the film ended on a bit of a nothing note. Still, it’s considerably better than a lot of the zombie films I have seen to date. I would say watch it so long as you know the piece stumbles at the end and has an incomplete wrap.
Severed: Forest of the Dead is a Canadian zombie horror film directed by Carl Bessai. If you have seen enough other material made in Maplewood you will probably recognize…
Survival of the Dead is garbage – I rate it Red Blood. What’s worse than that is that it clearly had a chunk of money behind it — not loads, but more money than many zombie films — which in my mind was money that could have been split to make at least 2 other cleverly-made lower budget better films.
My impression is that someone had a stack of admittedly clever zombie gags they wanted to get them in a film, but didn’t otherwise know how to pull it off — which at that they should have just left well enough alone … however, they got their funding and concocted a shoddy story-line that developed upon saying “Okay, we’ll use the military, ’cause that always flies in zombie films — oh, and to help it sell, everything Irish is popular right now, so let’s throw that in too!”
What, no gratuitous possibly-future-famous Z-film breasts to further sell this potboiler?!? I like bad film, but in this case I would prefer that who-ever green-lighted this project read my review: don’t waste your company’s money and don’t waste our time.
Zombies have taken over the world. A ragtag band of soldiers roams the countryside to scavenging to survive. The unit is intrigued when they hear of a safe haven on an island off the coast of North America. Expecting to find a paradise, they instead find the island is torn apart by a wannabe Hatfield–McCoy family — one family wants to exterminate the zombies while the other peacefully coexists with their undead relatives hoping for a cure to return their relatives back to their human state.
So far as I’m aware, this is one of two movies that combine the themes of zombies and cowboys — the other one being Undead or Alive (2007).
A viral outbreak has turned three quarters of the world population into the walking dead. In the old west, bounty hunters are humanity’s only salvation.
Once finished with this film in an hour, I predict I’m going to say two things:
1) It’s impressive what a person can do with their friends as actors, a $20 digital video camera from a liquidator store, a used Macintosh, and a few spare weekends. But who knows, maybe there’s someone in this before they got famous — Marisa Tomei had a nothing part in The Toxic Avenger (who’s part wasn’t seen until the release of the director’s cut 20-odd years later).
. . . AND . . .
2) I’m glad I watched this before Undead or Alive, as it’s probably a better film, and Quick and the Undead would be a bigger roach to watch following Undead or Alive.
Written, directed, and acted by people you’ve never heard of with a movie poster that looks like an angry cowboy monkey. The main character is based on (read “ripped-off”) Clint Eastwood and the characters he played in westerns. Yep, it’s a turd — I rate “The Quick and the Undead” Red Blood.
When a soldier on the run from the Union Army (James Denton) and a cowboy with a broken heart (Chris Kattan) rob the corrupt sheriff of an old west town, they have no idea that a plague of zombies is sweeping the country, or that Geronimo‘s sexy niece (Navi Rawat) may be their only hope of survival.
This film was fun — not necessarily a good film but it was decently made and fun to watch. A comedic zombie film that takes place in the old west … yeah, that sounds different!
So now that I’ve seen it following Quick & the Dead, what do I have to say…?
1) I was right, Undead or Alive is considerably better than Quick & the Dead and I’m extraordinarily glad I saw Q&tDead prior to Undead or Alive.
. . . AND . . .
2) Navi Rawat somewhat scantily clad in buckskins acting as a vindictive Native American woman — what more needs to be said abut watching this film?!? I’m not a male chauvinist, I’m just a healthy heterosexual man and I know what I like. Navi, if you’re reading this, if you feel as so motivated please click on my Contact page.
(PSST! By the way, Navi Rawat is East Indian and German in descent, not Native American — chalk this casting up to the brilliance of HolloWood. Oh, and in writing this review I learned that “chauvinism” doesn’t mean what we’ve come to associate it as meaning — it actually more or less means “patriotic” — you might benefit from studying up on it yourself.)
Remember, in the old west “Guns don’t kill people. Zombies kill people.” …. or at least that was the film’s tagline.