LTC (Ret) Robert D. Parrish, US Army

Today I attended the memorial of Lieutenant Colonel (Ret) Robert D. Parrish — a good man I only met a handful of times, and to me was simply Bob.

My first impression of Bob came a little over ten years ago while in Olympia, Washington.  A number of individuals from the local Scottish community held a gathering on the steps of the state capitol to observe National Tartan Day — my duty was to perform as a soloist, further bringing attention to the heritage with our distinct music.

Robert and Muriel
Robert and his wonderful wife Muriel – fifty-three years

After our ceremony we went to a local restaurant, and since we had a sizable group we were seated in the banquet room.  Among the people I sat with was a fellow and his wife.  This fellow proceeded to show off his sharp machine-gun wit, cracking jokes about anything and everything that came up — half of his jokes involved his wife — these left me agape, however she barely seemed to notice.  He was clearly a part of the Scottish-American military contingent, wearing a green shirt presenting a number of ribbons.  On the other side of his chest was a tag that read PARRISH — I was trying to figure out if it was his name or if he was military clergy … but if he was clergy how could he have all these ribbons, and how could he possibly be making such wild jokes?!?

When we finished with lunch our server came around with our individual bills — except I didn’t seem to have one.  I asked the server and I was told that my bill had been taken care of.  Everyone in the room noticed this, so I took the moment to say thank you and asked who did this so I may thank them directly.  I looked around the room and when I came around to Bob he looked me square in the eye and said, “I did.  I appreciate your playing today — thank you.”  He barley knew me and he bought me lunch; in content it was perhaps a small thing but in context he took it personally that I had been of service to the group and to the heritage, and in doing so he helped show me gratitude.

In the years that followed I saw Bob at various events.  Every time he saw me after that first time he’d greet me with a smile and energetically belt out “How ya doin’, young man?”  Bob could be highly serious, yet he always retained his smile and wicked sense of humor.

Scottish American Military Society
Bob and his giant fur sporran at the Mount Vernon Highland Games in Washington 2014

Four or five years ago I told a friend of mine in the Scottish community that I was considering joining the local chapter of the Scottish American Military Society (SAMS) to honor my WWII grandfathers.  She replied that it was a great organization that she thought I would fit in well with, and that it had quite a few good men and women “…like Bob Parrish, and … and … and …”  Each name that she gave was a reputable individual whom I recognized and respected, and the first person she thought to name was Bob.  He never knew, but I joined SAMS Post 1889 in part because Bob Parrish was a member.

I spoke on the phone with that same friend this past week.  When I found out that we were both planning to attend his memorial I reflected on my first impression of Bob.  She replied, “Yes, he could be a very generous man.”  — she was right, and posthumously Bob further taught me about generosity.

Viet Nam war
Combat Recon – My Year With The ARVN

I learned today that Bob was a twice published author.  From the family and friends who shared about him I learned that he pushed himself to be a better person and he pushed those around him to be better.  There was a long list of respected organizations that he was a part of represented by the people in attendance at the memorial spoke about him.  The Lakewood chief of police was in attendance.  There was a lot of laughter as people shared stories about him — they weren’t so much sad about his passing but happy that their lives were touched by him. These people affirmed what I already thought about Bob — the line about how a good man elevates himself, and a great man elevates those around him.

As a final connection, I was honored to be a pall bearer along side the good men and women of SAMS Post 1889.

Bob, thank you for you many gifts.  If I ever get the opportunity I will pipe at your graveside in Arlington National Cemetery, where some of the finest men I have known and have been an influence on me are laid to rest.

LTC (Ret) Robert D. Parrish, US Army
September 6, 1940 – February 16, 2018


Combat Recon – My Year With The ARVN

Schwartzkof – An Insider View Of The Commander And His Victory

Olympia, Washington and the Washington State capitol

National Tartan Day – April 6th

Scottish American Military Society (SAMS)

World War II (WWII)

Arlington National Cemetery

Kill Command (2016)

Giant Killer Robots ... minus the giantOkay, so if you’ve looked at at my blog at all — and if you haven’t I wouldn’t be surprised — you know that when it comes to movies, most of my thing is reviewing zombie films …. and occasionally movies that I think are important for musicians/artists to view.  As much as I get a kick out of Z-films, I am as much or more of a fan of Sci-Fi.   Kill Command

I got my hands on Kill Command by accident — call it a happy accident.  When I go to my local library looking for films, I have a habit — I check the Sci-Fi section, followed by Action, then usually Westerns, and then whatever else.  The organization at the library strikes me as weird sometimes when it comes to films — this was listed-as and filed-in Action … which it is an Action film but in my mind it’s Sci-Fi before that.  Whatever … I watch every zombie film I can get my hands on, so of course — I took Kill Command home!

Couch Potato watching Kill Command

You know when you’ve watched all the recent movies … you feel like there’s nothing to see and you have nothing to do … and you pick up some film to relax with even though it doesn’t look very promising … and as you get into the flick you expected to be a potboiler and suddenly you’re faced with the reality that the film is pretty durn FANTASTIC?   And then the more you watch you feel like you’ve discovered some secret film that your friends don’t know about because usually all you see is HolloWood or American films and pretty much miss everything that comes out of Europe.  Yeah, if you’re a Sci-Fi fan, that’s Kill Command!

Relax, everything is under control in Kill Command
A glimpse into the near-future — placing your order at a fast-food joint…
KILL COMMAND, also known as IDENTIFY 

… takes you into a technologically advanced near future.  The Harbinger Corporation supplies the military with warfare A.I. systems.  A programming anomaly has been discovered  at an undisclosed island — the Harbinger I Training Facility.  A scientific specialist has been sent in with a team of six American marines — all of whom have been assigned to a two-day training mission.

Sci-fi Marines and airships -- what more could you want?

As the night and following day unfolds, they discovery that the team has been inserted into a coup de grace where the intelligent and flawed combat machines have taken over the facility … and are beginning to attack the team … and learn their human combat tactics.

Robots with killer weapons coming out of smoke .... no problem
Trust me, these guys are worse than unannounced visits by door-to-door religious fanatics.

The film was released on 13 May 2016 in the United Kingdom and received a limited screening in the US on 25 November 2016, ultimately receiving mixed to positive reviews.  Here’s the thing, my fellow ‘Murcians — there are a lot of films outside of the U.S. that we are unaware of.  In the world of film, the American/HolloWood arena is the big player — and not everything outside of that arena makes it in* …. and a lot of it is good material, too!  Maybe “Kill Command” wouldn’t have been a huge film on the U.S. scene, but with the right marketing I think it would have gone over well.  Instead, you heard it here … for free …. because I love Sci-Fi.
Formula 51 AKA The 51st State(*Did you see the 2001 film “The 51st State” staring Samuel L. JacksonRobert Carlyle and Meat Loaf?  I was in Glasgow when it was out.  We drove by a theater that displayed a movie poster for a flick I had never heard of.  I was told two things — there are a lot of films made in Europe and I will never see this one in America.  For that reason alone I thought to go see it while I was there, but I ended up seeing The Lord Of The Rings instead sitting in the worst movie theater seat in all of Scotland.  Fortunately, the film did make it to America as “Formula 51“.)

pew pew pew - cool tech in Kill Command
No red shirts on this guy!
You had me at “GIANT KILLER ROBOTS”

Kill Command has everything Action Sci-Fi fans LOVE!  A futuristic setting, advanced technology, soldiers with cybernetic enhancements, things blowing up, lotsa guns going PEW PEW PEW, and GIANT KILLER ROBOTS.  There’s even a cyborg!  Oh, and a super-cool weird-techy vehicle like this…

Sci-fi marine airship of AWESOMENESS in Kill Command

LINKS

The Singing Revolution (2006)

Between 1986 and 1991 singing was the weapon of choice for the people of Estonia who sought to free themselves from decades of Soviet occupation.  During these years masses of young people, without any political party, gathered in public to sing patriotic songs and to rally for national independence — patriotic songs that had been made forbidden.

People tend not to think of singing when it comes to revolutions, but with the Estonian culture and tradition of song not just tens of thousands but Hundreds Of Thousands gathered to sing and to give their nation a renew spirit.

“The Singing Revolution”, by James Tusty and Maureen Castle Tusty, tells the incredibly moving story of how the people of Estonia peacefully regained their freedom and helped to topple the Soviet empire in the process.

My fellow musicians, If Ever You Question The Importance And The Power Of Our Craft … watch The Singing Revolution.  Imagine a revolution that looks like this with everyone you can see singing

 

SingingRevolution.com

The Singing Revolution at IMDb.com and Wikipedia …. and for no good apparent reason another page about the same film at Wikipedia.  Go figure.

Joyeux Noël AKA Merry Christmas (2005)

I’ve wanted to watch the 2005 film “Joyeux Noël” (AKA Merry Christmas) for years — finally got to and I’m very glad I did!  One could easily say that every piper, every musician, and every person ought to.

We all know the setting…

The Great War, which of course later came to be known as World War I and lasted from 28July1914 to 11November1918.  It is viewed as being the first modern war and the most destructive.

Scottish soldiers in a WWI trench
Emerging from the trenches with Silent Night in the film.

During the first year of the war there were a number of informal and unauthorized “Christmas truces“, where men on both sides of the Western Front line stopped fighting to celebrate the holiday … and in some cases met in the middle to celebrate together.  Joyeux Noël is a dramatization of a group of French, Scottish, and German soldiers.  Having heard Silent Night on bagpipes from trench and the singing of the classic song by a German vocalist in another trench, they rose and met on No Man’s Land in one of these truces.

Maybe I think too much, this gets listed as an anti-war film.  I’m not always sure what makes a song or a film (etc) an anti-war piece — or to say, some are more obvious and direct than others.  What I am clear on is that Joyeux Noël shows that we as different cultures can set aside our differences, meet together peacefully, and share what we have in common.  To me some of the significance of this film has to do with universal languages — among those I believe are math and music.  As musicians we bring people together — in good times, in bad times, and bridging our different languages.  The lyrics may sound different but the music is the same.

Here are my side-notes on this film — in other words, these are the not important things I observed …

To me this film looked great — the costumes were good, there were four languages in this film (so long as you count the priest delivering a sermon in Latin), the acting was good, and so far as I could tell everything was period correct.  According to Wikipedia, Joyeux Noël had a budget of $22 million and brought in only $17,709,155 at the box office.  This happens — a well made film with a beautiful message … clearly it did not go unnoticed, and from when I’ve talked about wanting to see it the film apparently resonates in the collective conscious … but I’m saddened that this didn’t get as much notice in the theater that it profited let alone broke even.

As a musician I of course enjoy seeing when singers and instrumentalists are given focus in a film or in a TV show — especially when pipes are featured in a film.  I’m also accustom to these not actually featuring singers or musicians. In the case of this film the actors-not-singing is glaringly obvious — the lip syncing is painful.  The bagpiping in this film is also synced (pipe-synced?), which is understandable — finding actors who play bagpipes is uncommon (yep, sorry — Viggo Mortensen doesn’t actually play pipes in Captain Fantastic, although the filmmakers did a very good job of making it look like he did and Viggo trained hard to look as-so).  The pipe-syncing is both good & bad in Joyeux Noël.  When pipers start playing and then stop playing but the tune continues … that’s bad.  However, at times in this film the actors-not-pipers are seen playing and they actually do a considerably accurate job of appearing to play … so to some extent these guys actually trained — WOW!

The one other hang-up I had, or call it that if you will — there were four sets of bagpipes in the film.  Four clearly bran new, shiny sets of pipes.  I find it hard to imagine that pipes exposed to such conditions would be in such good shape, but this is a small thing so let’s look past it.

Okay, before I get any more into the weeds, let’s just say this — Joyeux Noël was a heck of a film — see it, it well deserves its time in the sun.

Joyeux Noël AKA Merry Christmas

Make no mistake, this is not a buddy-comedy film

 

Tom Petty (RIP)

The first time I heard Tom Petty – and I mean REALLY heard Tom Petty – was at a ski condo where I spent many winter weekends during high school.  If you consider a lot of his songs being in high school could not have been a more fitting time.

My family had a time-share with another family on an area condo.  Every other weekend we would pack up the van and trek to Snoqualmie Pass.  As I passed from Freshmen through my Senior years I had to spend less time skiing and snowboarding and more time studying, all while looking out the condo windows at the frozen hill I’d rather be sliding down.

One night during the winter of ‘89/90 some folks down the hall at the condo building had a party.  They put on Full Moon Fever (1989) and blared it.  The album was crisp and clear, you couldn’t miss it from anything else going on in the building.  The distinct sound of Tom Petty’s voice, the memorable tracks from this solo album …  The folks down the hall played this album all night.  It was the only album they played … all night.  Everyone else in the building, myself included, were trying to sleep, and apparently no one had the nerve to go down the hall to bang on the damn door and demand they shut it off!  My suspicion remains that the folks started playing a CD* copy of the album on repeat, partied and then passed out.
(* Here’s where I show my age – people were just starting to get CD players then – and the copy of the album I heard couldn’t have been a tape cassette because there wasn’t a long enough pause anywhere for the tape to run out … which is kind of funny & coincidental when considering what the listener hears at the middle of the album.)

Yep, the first time I really heard Tom Petty I REALLY didn’t like his work – not because of anything having to do with his music but because of the lack of sleep I got that fateful night coupled with the inundation of the singular album.

Some years later (still in high school) I had gotten that sleepless condo night and that repeating album out of my system.  On weekend evenings I caught a late at night music show on PBS – I have no idea what the show was.  For weeks I tuned in because this show was cool and I didn’t have a social life then (either).  I would watch whatever band was being featured and then the show would close out with playing a number from a Tom Petty & The Heartbreakers concert.

Every week the concert would pick up where it left off, and over a number of weeks I caught most of the performance.  Something about the music and the presence the musicians had caught me.  To this day I don’t know what the specific concert was or much reference to make for the footage – and I would love to see it again.  All I recall was that there was this HUGE tree prop behind the band on stage, and I think chandeliers hung from the branches.  Their performance was engaging, electrifying, authentic, and the roots of rock’n’roll were palpable.

It was after that I started paying attention, learning about where Tom Petty came from, observing his accomplishments, hearing the arc of his music as he continued to mature ….  and yet that authentic, palpable thing always remained.

I get the impression that some folks think that because I play bagpipes that I’m not a musician, that I don’t tie in with the rest of musicians the same.  While I hold the opinion that there is a vibe every musician experiences that comes with their genre of instrument, there is a vibe that all musicians share.  I didn’t start out as a bagpiper, I’m not now only a bagpiper, and with that I’ve always viewed myself as a musician first.  When you appreciate the work of another musician both from an audience standpoint and from musician standpoint …. when someone who’s work was incredible and they move on …  it hurts in two ways.  You lose a star in the night who was a point of great creation, and you lose someone you understand because of the vibe you shared with them.

In some of the themes that Tom wrote and sang about – love, hate, and loss – my relationship with his work has been that.  First I hated his work, then I came to love it.  Lately we lost the man, and yet we can remain grateful for the gifts he gave through his art and dreams.

Thomas Earl Petty (October 20, 1950 – October 2, 2017)

Tom Petty – YouTubeWikipedia – IMDB

Tom Petty and the Heartbreakers  – YouTubeWikipedia – IMDB

Black Swan (2010)

Adding this title to this list came with a small debate. A big portion of it is a psychological thriller; its also about an artist making a personal break-through into a different area of their craft. Someone else might call me a dufass saying I missed the point entirely — and maybe I did, but the film is also subjective. To me, it had something to say about working within an art form that has an exacting/purist community surrounding it and breaking through … and that for me is the greatest point of the film.

Black Swan at IMDB and Wikipedia

DIY or DIE: How To Survive as an Independent Artist (2002)

If you’re an independent artist of any type, you’ll want to see this. At the beginning of the piece the film-maker states his point to project & what he wanted to explore — and over the course of the film I don’t feel that his interviewees proved, represented or developed his point … at all. However, the interviewees speak a lot about the passion behind their work and doing it successfully their way regardless of what “The Industry” indicates.

DIY or DIE at IMDB and Wikipedia

NOTE – The full title of this film is DIY or DIE: How To Survive as an Independent Artist (AKA DIY or DIE: Burn This DVD)

Once (2007)

I found out about “Once” while watching extras to the film Begin Again.  Once was written & directed by the same director — John Carney — and stars Irish musician/actor Glen Hansard and Czech musician/actress Markéta Irglová.

Usually when I make note of a music-related film it’s because I strongly related to it relative to music — it struck a chord (no pun intended) in me, it spoke to me about the experience and the inexpiable thing that is music … this one is hard to write about.  More than anything I think for me this film speaks to me because of the busking and because of the from-the-core music of the male lead, played by Irish musician/actor Glen Hansard.

Frankly, it’s difficult to write about because I missed about 15 minutes of the film about 1 hour in — the DVD sketched out, which is a typical problem with films I get from the library.  From what I could tell visually I predict that there were important elements to the story line, especially having to do with the ending.  It was very disappointing and I’d like to get my hands on a non-blemished copy so I can get the full story.  I liked that the film was shot hand-held — it made it feel human, that you were with the guy & gal leads having their experience.  Which is another thing … I didn’t realize until I saw the credits that they never have names in the film — as listed in the credits, they are “guy” & “girl”.

Maybe the two areas where this particularly spoke to me …

  • One, it was shot on the streets of Dublin.  I’ve barely spent four days there, but places were familiar.  I particularly recognized parts around the Temple Bar area, and know that a lot of famous performers out of Ireland have come from there.  Despite aspects that didn’t register well with me — that it’s a tourist town with too many poor mannered American college kids, and there are a lot of immigrants and it was hard to find Irish people in Dublin/Ireland — I no less came away knowing that I wanted to return and see more of not just the city but the country.
  • Two, I identified with this film from the standpoint of being a broke musician — dealing with the challenges that come with trying to survive, trying to live your passion (music), and trying to keep your music supported financially when you are struggling to pay rent and for food.

Also, similar to what I got out of Begin Again, I think this film spoke to me about going for it with your music — being venerable with your art and releasing every inhibition to touch the depth of each emotion present in a tune, in a song, and playing it despite judgment, despite an audience, and regardless of what stage you’re on.

Ultimately, about this film, I can’t put my finger on why I’m writing about this one or its importance why a musician or non-musician should see it — but there is something about it that I can’t let it go without note, it touches something inexpiable which is a huge part of music itself.  This film is not just a story, it’s not just a vignette of drama, it does not fall into the ranks of ‘just a music film’ as it is music itself.

I think it’s fair to say that there are some common threads that go through this film that also go through Begin Again, and given how I responded to Begin Again maybe that’s why I respond to its predecessor Once.

PS – I essentially just watched the film a second time.  Without giving anything away, there is an element to the ending – perhaps a few, but one in particular – that to me is beautiful, it is subtle yet it is powerful, it is joy and it is balance.  You might & you might not see it; it may be a musician thing.  If you don’t see it, that’s okay.

Once at IMDB and Wikipedia

Glen Hansard at IMDBWikipedia, and his Official Website

Markéta Irglová at IMDB Wikipedia and her Official website

John Carney at IMDB and Wikipedia

Begin Again (2013)

Cut to the chase — in fact, it makes sense for me me to start on that given how this film struck me.  The story is good, but it wasn’t the important thing to me, but it supported what I saw as the bigger point to the film … which maybe comes out to a musician viewing the film as opposed to a non-musician.  So maybe now you’re saying I haven’t cut to the chase, but you’d be wrong — I’m coming off as cryptic because I haven’t written the rest of my point supporting my what would be cryptic.

Right, so, let’s get on with it.

So here’s the basis of the story …

A British song-writer breaks-up with her rising-pop-star boyfriend and gets noticed for one of her songs by an out-of-work record producer when she performs at an open-mic in NYC the night before she was going to return to England.  The music producer convinces her to stay and record an album with him but they don’t have money or other support to make it.  Through portable gear and musicians of varying abilities they take her songs to the streets and record live around New York.  The first track gets recorded in an alley, another in Central Park, one on a train platform, the last on the roof of a building.

Here’s my thing from this film …

To date I have more than 30 concepts for albums that I want to record.  To date I have done a lot of work toward five or twelve of these and haven’t recorded a single note maybe beyond a few demos.  Five or so years ago I got myself into a playing-skill space over a three-day weekend.  I was back in school at the time — busy — I felt that if I could keep working during the coming school week that I could belt out recording my part the following weekend.  Well, I returned to school, was busy with school work (remember, ‘busy’), and didn’t continue to practice hence I didn’t make the recording.  But what if I had?  What if I just made the recording, even if I wasn’t that little blip further along in my ability.  I thought of it then, figuring that I’d be better off to do it, to make it, — to have a recording to work with it if I didn’t get to push for that little bit better playing ability.

Why not record?  Why not record every performance, record every time you’re close to the idea you want to record?  I’m not talking about studio recording – I can’t record that, many musicians can’t.  I’m talking about personal gear.  These days you can get good equipment that’s pretty easy to use, really for not much money.  At a guess, I’ve spent about a thousand dollars on music gear — about half new and half used.  I’ve read a little how to use it, I’ve experimented with it, I’ve asked advise of folks who are in the know, and I’ve captured recordings that sound at least pretty good – recordings that can be worked with.  Likely, had I recorded and later recorded the other musicians, got the album finished, let’s face it … it wouldn’t have been the last time I played those numbers … and I could have recorded them again.  I could have taken the album and booked myself for small performances, maybe had something special happen on some night, and recorded that too.

I’m not saying playing bad is good or making a garbage recording is acceptable.  Play well and make a good recording, but neither have to be some ideal of ‘perfection’.  It’d be better to play, perform, and record as opposed to never doing any.  The Grateful Dead recorded their songs, released, and once touring always played exactly as they did on their albums?  NO!  Their recordings were a foundation to work from, to create upon.  Record – get the playing, get the moment, do it instead of don’t, you may get something unique.

I didn’t cut to the chase, did I?

By the way … if you like Begin Again — which was directed by John Carney — I urge you to watch Once (2007), which Mr. Carney both wrote & directed.

Begin Again at IMDB and Wikipedia