For starters, I have to say that I’m surprised that this tile wasn’t already used by some previous zombie film. Maybe it was and I’m just not aware of it, but let’s get into it, shall we?
RATING – Yellow Puss, nearly Green Ooze – The Dead is an interesting film among Z-films.
Somewhere off the coast of war-torn West Africa a plane-load of American soldiers are evacuating. The plane crashes in an area where the night before a horde of zombies attacked villages through the area — and US military engineer, Lieutenant Brian Murphy, is the only survivor.
With no other options and limited resources, Lieutenant Murphy starts to walk his way out of the country. Yeah, it’s The Journey, but for this film it works rather well. Amid a country of zombies there are very few humans — often called ‘survivors‘ — and our engineer finds and teams up with a regional soldier, Daniel, who is gone AWOL and looking for his son. In time, Daniel asks Brian to locate his son. And that’s all I’ll tell you about this as to not give any spoilers….
Here’s the thing about this film and my review — call it a confession if you will — I did not get to write my review after watching it, and I had a lot of good things to say during the viewing. Once I got around to writing I got very busy with Xmas holiday stuff and touring the state of Washington as a guest player with a Celtic-rock band — I did not have time to re-watch and better-write my review, but I will tell you this …
This film has an unexpected element and rather different charactre among Z-films. It wasn’t a great film but it was a good film, and frankly it was hard not to give it a Green Ooze rating. It also gives some beautiful views of parts of Burkina Faso and Ghana. If you are a zombie film fan, The Dead is a must-watch.
Yes — an ADDENDUM! Why? Because I wrote and published this before, and somehow it survived a hard drive crash I had, but it didn’t originally get posted when I moved my website. ANYWAY… Take a look at the Wikipedia page for this film regarding the production — it’s nearly amazing the film even got made…
The cast and crew encountered many problems. Shooting was planned for 6 weeks — it took 12! First there was a delay in shipping the equipment to Africa which added 3 weeks. The lead actor, Rob Freeman, contracted malaria and almost died in the middle of filming. Additional delays were caused by major damage to camera equipment. Howard J. Ford — one of the directors — later published a book, titled Surviving the Dead (2012), that detailed the troubled production.
It seems that this is a review I lost with my hard drive crash nearly 2 years ago. Here’s news — you’re not missing anything — nothing in Pride and Prejudice and Zombies and nothing with my review. If a film doesn’t register with you, it’s hard to review it — so what would you read from that? ANSWER – me, annoyed.
Anyway, I’m working from memory here, so let’s get started…
Colour Rating — Yellow Puss or Red Blood … whatever …
I haven’t read Pride and Prejudice, I have had no plans to, and after this film I am further not interested. It’s amusing that Seth Grahame-Smith could write a quirky parody mashup (published 2009) combining the 1813 Jane Austen‘s classic novel with elements of modern zombie fiction, but mostly I just found it snooty and boring — I couldn’t get in to it. When they showed the action stuff, it worked for me, but all otherwise it was the whos-in-love-with-whom Jane-Austen-junk my mother warned me about.
Not a gore-fest, this Z-film was a SNORE-fest!
There was clearly a lot of money behind this film, and one good thing I can say about it is that I’m sure it will perturb the Jane Austen purists. Hopefully, it will be at least a little fun that it was re-envisioned. For me though, coming from the zombie-film fan perspective . . . something was lost with this to capture the the zombie-fan demographic.
Conclusion…
If you’re a Pride-Prejudice/Austen fan and you’re open-minded — go for it. If you’re a zombie-fan and you want to make sure you’ve watched EVERY zombie related film, well … good luck. If you’re a die-hard zombie-film fan …. don’t bother.
It should be no surprise that that Day of the Dead 2: Contagium rings in as another Yellow Puss. Probably it should be Red Blood. I’ll tell you what I have to say about this film, but first please read these which I found under “Reception” on Wikipedia….
Peter Dendle called DOTD2 Contagium a “boring, transparent feature” that was “forgotten almost as soon as it was released”.
Steve Barton of Dread Central rated it 0/5 stars and wrote, “This is a sequel in name only, created solely to generate revenue from ill informed fans.” Contagium
Joseph Savitski of Beyond Hollywood wrote that the film “is not only an exercise in incompetence, but also a blatant attempt at false advertising.”
Dennis Prince of DVD Verdict wrote, “There is no warning too strong that would urge you to avoid this DVD at all costs.”
So what does BagpiperDon think of Contagium?
Bearing in mind that this film hand a whole whopping $1M budget in 2005 — that should already tell you that this is a nothing film. It was confusing as to the significance in light of the 1985 “Day of the Dead” not to mention the “Day of the Dead” from 2008. It seems like a film that wants to have a few good new ideas to the genre. Also, it had the fun of being a simple, low-budget Z-film ….. but in the end… it’s a waste of time.
Today is my birthday, and it’s a bit of a milestone — call it a half-milestone. Most people are cool with their birthdays while some folks get weird — self-conscious about aging, resentful about past celebrations, attention seeking … whatever. And then other people poo-poo the B-Day folks for wanting to acknowledge their birthday, passing judgment that it’s childish to observe or celebrate. In the end it is what it is to the B-Day boy or girl, and if you can’t say something nice then keep your garbage to yourself … which is about the nicest way I can say that.
Oh … Dear Reader, please note…
If you’re thinking that this is some friendly-happy blog-post about my birthday, it’s NOT. This is more of a hard-core truth and you might prefer to opt-out now.
Aww crap — did I just write a “trigger warning”?!?
Five, six, whatever years ago I gave up on trying to celebrate with my “friends“. I’d make plans that I thought were interesting activities, doing something I like to do — which was usually going on an autumnday hike, which is BEAUTIFUL here. I’d make invites a few months in advance, and as the date grew closer people had more important things to do and canceled — one time the last 2 people canceled on the day. In many cases these were folks who maybe I’d only get to see once a year … birthday
So it became None.
I gave up on trying to celebrate my birthday with any of my “friends“ — the people who mattered to me and I understood it was mutual. I’d make it to their celebrations, but when it came to mine … they were “busy”. After enough years of this I found that it was healthier for me to detach — detach from whatever it was that was the difference between my understanding and theirs, detach from wanting to do something with people I thought I got to share some happiness with in this life, detach from thinking that someone might be interesting enough to stop and do something different with and essentially say “I’m glad you’re here with me.” So I don’t know if I’m not cool enough, or not interesting enough, or because I don’t drink it doesn’t look like it’s going to be a fun enough time for you* to celebrate with me … FINE … if you can’t play with me for even part of one day then I’m not playing with you. Which is about the nicest way I can say that, too.
(*I just thought of a term — “Drunktard”.)
Don’t get me wrong – I’m no longer angry at these “friends”, these humanish-people things, whatever they are — but I am angry.
I am angry that we grow up, we ‘become adults’, we have families, careers, and these develop into excuses. And excuses for excuses — and licenses for excuses — but hear me when I say…
It is all BULLSHIT.
(Oops, I didn’t say that “nice“.)
I am angry that the best folks can do is leave a little Happy Birthday message on a social media* site. I can barely give a single slice of (a turd) when I get a text saying “Hey — Happy Birthday!” but a person can’t pick up their same phone and call to say the same??? I am angry that the more technology connects us the more disconnected we become — but hey, the other person pushed a button, they did something to acknowledge their friend/loved-one, so they can move on to the next thing on Their All Important To-Do List. I am angry at human conduct in my perception and opinion that appears to be inauthentic.
(*I’m so old I remember when “face time” meant actually spending time together FACE TO FACE without an “e-” in front of anything.)
Palmer was pointing out that to this other singer experiencing life fully with all the good & bad parts is of upmost importance while we are here, while we have the opportunity, and that shutting down or disconnecting in any way is missing it. I think it can similarly be said that being inauthentic is an ultimate obscenity to this beautiful experience we only get one chance at — just one! birthday
Every year now I tend to go silent for my birthday.
If someone does happen to call or (god help me) e-message me I’ll meet them where they’re at — I won’t shove them off, I’ll at least say “Thank you.” to a text, but I’m also not putting anything out for anyone to go do anything with me … I wouldn’t want to ask them to put themselves out — how inconsiderate of me!
More than anything I go silent online.
Am I isolating? Maybe, but I’m also not allowing for the bullshit to come in either.
I don’t allow posts on my social media locations because on most days there are folks who cannot conduct themselves with adequate decorum with their postings. I guess because of their bullshit version of rugged individualism where anything flies — “And if you don’t like what I said, screw you, I gotta right to express myself — UNGH!” This means I don’t receive the George Jetson happy birthday posts either — and GOOD. …And now Facebook has started doing these charitable-birthday-cause things?!? “Instead, for my birthday, I’m asking you to donate to some seemingly good cause that you don’t have to care about, just like me.” I don’t ask for those — if how folks fail to connect with me is any indicator, then any good-cause I might select wouldn’t get anything. (*insert chortle*)
Get your calendar and your pen and write the birthday of each person you care about on it and check it regularly (or set it up in your phone, it doesn’t matter as long as you do it). Contact these people and ask them out to lunch or dinner for their birthday — your treat. Get that same pen and some paper and write that someone an authentic note to add to a birthday card — fuck the card, it’s the note that matters. Get together with that person for whatever it is that they want to do even if you don’t fully think you’d have fun, because it’s not about you. Get real and acknowledge that this is really someone you care about or not — and if you can’t do that GET LOST.
When I think about this I’m lonely;
When I don’t think about it I’m just alone.
For years now I’ve liked the idea that if I had the money I’d take a trip for my birthday — hell, I’d take myself out to dinner but I can hardly afford to do that. I might tell people where I’m going & when I’ll be there — be it dinner or the trip — and if I see them there then good. Sure, the trip asks more expense and I wouldn’t expect people to show up, but when you tell folks enough in advance that you’re going to be at this restaurant or that bar and they don’t show up, can’t show up, have some excuse … then are they real? Are they really in your life? Are you really a part of theirs, or are you just a cog who serves them in some way?
If any of those questions resonate with doubt for you — dear reader — then maybe it’s time to take your little red wagon elsewhere and play with some better kids. Or is this just some bigger problem, that as a society our intimacy is dying? Or maybe as my non-bagpipe-related-posts go I should just shut-up and stick to reviewing zombie films …. like that matters. One of the nice things about playing Highland bagpipes is that while you’re playing you’re all alone — you can’t hear bullshit, you’re just in the music.birthday
“Be kind, be real, or get out of my face.” ~ Pete Townshend, 1992 in a writing about The Who ~ birthday
I received a promotional e-copy of Affliction Z: Patient Zero (Post Apocalyptic Thriller) by L.T. Ryan shortly after it was released. Frankly, it has taken a while for me to get un-busy to where I could dive in and read it. Tonight I will be starting the last chapter and I have to say — I have been ENJOYING it!
The book begins dark, mysterious, and energetic. About a dozen Navy SEALs parachute into Nigeria to rescue a team of Army Rangers who preceded them. While they have their mission details, what they don’t have is intel on what exactly they’re getting into. Shortly after they arrive they find out they’re in the middle of a zombie outbreak!
Beyond that, I will not give spoilers.
Here’s the great thing I found about L.T. Ryan’s writing…
Affliction Z: Patient Zero felt like reconnecting with a old friend — familiar and yet exciting discoveries from the unfamiliar interim. I would like to say that I couldn’t put this book down, but that isn’t the case. It has nothing to do with Ryan’s writing, it’s just that I’m a busy guy and binge-reading simply is not an option. To me there were attributes I found similar to The Da Vinci Code by Dan Brown. Chiefly, its pace presses forward and that resonates well with me — every time I picked up my e-reader this Affliction Z book would take off again!
Elements I Particularly Enjoyed
The military references and other particular details seem spot on. While reading I wondered if Ryan researched these or interviewed experts to get these right.
The chapters are easily read in chunks — this is good for a person who loves to read yet doesn’t have much time.
The situation the military guys are in is palpable! For me it pops off the e-page. I feel that I’m there with them in an unclear and unpredictable situation.
I’m always looking for something new when it comes to zombies. Ryan presents possibilities I had never imagined for the character of the zombies — not just what their capabilities are and how the outbreak has occurred but also why.
L.T. Ryan has quite a few books and series of books to his credit — and after the first book out of his Affliction Z series, I want more! There are two other Affliction Z books and Ryan just released book four — titled “The Sickness of Ron Winters“. I’d like to get my hands on Affliction Z: Abandoned Hope (2013) and Affliction Z: Descended in Blood (2014) first.
Juan Of The Dead (AKA Juan de los Muertos) is fun Spanish-Cuban zombie comedy. If you’re like me, you just gotta appreciate a Z-film that shows its first zombie kill in under three minutes into the story. Oh yeah, it may be a new record!
Without any explanation zombies appear in Cuba and start eating people. Middle-aged slacker Jaun, along with his fellow small-time crooks and deadbeats, take to the streets of Havana to face an army of the undead. Emergency news reports are broadcast amid the chaos… The surge of living-dead have been identified as ‘dissidents’ revolting against the Cuban government. The regime accuses the USA for the attack. Everything is under control even when nothing is being done. Seeing opportunity, Jaun gathers and trains his friends to be zombie killers and starts a business called “Juan Of The Dead — We’ll kill your loved ones”.
For those familiar with the Cuban regime and its people, the movie is a hard critic to both — which is why it was never released in Cuba and apparently was only shown on-screen at film festivals. Juan Of The Dead attempts to mock every cinematic clichés (daughter hating father, friend about to die, farewell , even Matrix-style fights). The nuances of Cuban humor can get lost-in-translation to non-Spanish speakers — for example — in one of the most celebrated jokes, Juan is asked to kill a cow but he refuses because it is too dangerous; In Cuba killing a cow is worse crime than killing people.
Zombie film fans will will be pleasantly surprised with this film especially with seeing fun nods to Shaun Of The Dead. There was one thing I saw in particular that I have seen in another zombie film*. The film is in Spanish and subtitled — sorry, no over-dubs. This film is Not Rated, and aside from the zombie gore and violence there is some nudity (including z-film boobs) and adult humor/topics. Oh — and how do I rate Juan Of The Dead ? … Light Green to full Green. (*Select this line to read the spoiler –> Underwater zombies walking on the ocean floor that seem to be able to swim up if it means getting a bite … though that bite could come from a shark! Oh yeah, this was also done in Pirates Of The Caribbean. <– all the way to here)
Have you ever had the experience where someone you know excitedly says “Hey, ya gotta see this film!“? Then once you watch it you’re left thinking “What the heck was that about?”, or worse “There is something SERIOUSLY WRONG with my friend!” Welcome to to World of the Dead: The Zombie Diaries 2.
Immediately you can tell that this project has a higher budget and is visually more satisfying than the 2006 predecessor. Then you get into the story and you start to see the problems…
The first thing you notice — as with the original film — is that the DVD cover is once again horribly misleading. The cover art looks better than the film, and it represents something other than the content of the film.
The zombies feel very non-threatening — even less than in the original film. The make-up is insufficient, the scares nearly non-existent, and the zombies are often so stiff they would be played better by untrained department store mannequins. Add to that, when it comes to shooting the zombies I get the impression that the British film makers don’t have a clue as to what firearms sound like anymore (especially in the scene pictured). The firearm sound effects left me non-pulsed — perhaps they were just the on-location recording of the blanks the actors were firing.
The biggest downfall of the movie…
… aside from the emaciated plot and the you-are-there hand-held cinematography — are some of the specific content choices that film makers Michael Bartlett and Kevin Gates included. Various gangs of survivors prove to be even more vile than the zombies. This is well summed up in a review by FlickeringMyth.com when they wrote…
“There are a couple of, frankly, unneeded rape scenes (one on a female zombie) that just felt like Bartlett and Gates wanted to do some kind of rape revenge film, but gave up and worked zombies into it”.
Frankly it left this bagpiper & humble amateur zombie-film reviewer astounded. I cannot recall feeling this disturbed by any zombie film I have previously seen. This content included a challenged young man bullied into delivering a beating upon one of the primary male characters, and then pushed into committing a graphic rape/murder on one of the female primaries. I have to wonder where the writer and his co-director think that this was appropriate, or fit within the film! I also have to wonder about the actors (or even the crew) assuming they saw the script before they agreed to do the film — why would they participate in bringing this film to fruition?
Is there any redemption for this film?
There are elements to this film that really work — the albeit over-used zombie-trope military element, the military and civilian survivors trying to escape from England, and the guys who ambiguously appear wearing protective suits and gas masks. However it seems as though Bartlett and Gates thought that their ideas were so great — so sound — that they didn’t think to check their script or finished film with a third party. And if they did, they didn’t listen to them say “There’s some good stuff here, but over all THIS IS A BAD IDEA.” Or maybe they just half-assed it and figured this would fill a feature. In the end, it is as The Daily Mail described the film, it’s an “88 minute waste of electricity”, and I rate it Red Blood.
Seriously, I’m starting to think I ought to make a list titled “Zombie Films To Avoid Watching“. Do you think I would have this one on it? YOU BETTER BELIEVE IT!
If you noticed one of the soldiers say in the beginning of this film that they’re in the “TA”, that stands for “Territorial Army” which is the UK equivalent of the Army Reserve.
WOW, where to start? How about my rating for the 2006 film “Zombie Diaries” … Frankly, I’ve flip-flopped. Originally I gave it a yellow puss — very pale yellow puss. When I started watching the 2011 sequel I dropped it to a red blood. And then I saw more of the sequel and boosted the original flick back to yellow. Yep, that’s right, the first film is better than the second in this humble bagpiper’s opinion!
The back of the DVD case cites The Dark Side (whatever that is) as having said that this is “The best zombie film ever.”* If that’s the case, I’m giving up on zombie films. Fortunately, the are patently wrong in this regard.
(*I tried to find the specific article on their site without luck… did they change their mind, delete their review, and disassociate themselves with this film entirely?)
THE GOOD NEWS
This film could serve as insights to people’s different experiences before Jim wakes up in 28 Days Later — although this isn’t possible according to Wikipedia since “The second chapter, “The Scavengers”, takes place one month later.“, and the third chapter presumably takes place later still.
THE BAD NEWS
Imagine if you will Blair Witch Project (otherwise known as the worst bad filmever) but with the actual presence of a horror threat — in this case smatterings of amateur-actor zombies. Instead of a couple of Blair Witch guys screaming at nothing and pissing themselves like millennials, you get the audiobook version of World War Z giving insights to various people and their experiences as things fell apart due to the outbreak or mass presence of zombies. All of this is done in a you-are-there found-footage hand-held-documentary filming format … which I often find annoying because the filming is overly jerky and the audio is incredibly noisy with hyper yelling. In this case this looks like a an amateur film with decent execution
The film doesn’t begin to get interesting until 14 minutes in. It possibly starts to interconnect around 37 minutes. Perhaps one of the best things about it is that it gets an interesting look around 39 minutes when the visual switches to night vision.
Otherwise, what do you have in this film? Bickering Brits, who, if not for zombies taking over the world, would be complaining about Americans and claiming that they’re SO much better and nothing like us …. except for the bickering, complaining, and conceitedness, all-in-all failing to acknowledge that everywhere you go people are just people. Yep, everyone sucks just as much as everyone else everywhere else, including English people and even Canadians … but especially people in France. In truth, between the rigors of long term survival along with death and fighting off zombies, the stress level in such a situation would be pretty high so bickering seems realistic. The other thing that’s bogus — and common in movies — is that the characters are complaining about not having enough guns in a country where guns are highly restricted, and yet they’re instantly pretty damn good shots for people who are unaccustomed to firearms.
THE YOU-ARE-THERE PROBLEM
One of the things I keep thinking over and over which applies to this film and any you-are-there hand-held film — and I’m sure I’m not the first to ask this — why would anyone film all of this stuff?!? Everyone one of these types of films need to justify this, few if any of them do. Similarly, particularly a story that takes place a number of months, a year, more than one year, whatever — why are these folks bothering to still record, especially when they must be running out of film or disc storage space, how are they continuing to power their devices, eventually why would they bother? While the hand-held you-are-there style film making has a certain feel and effect, to a degree it is also cheaper to make, which may also be a motivator behind writing/creating a story in this fashion. Mostly, I just don’t think it works all that well or at least to say as often as these films come out.
Hopefully the 2011 sequel — World of the Dead: The Zombie Diaries — is better. But then you got to wonder about a crummy film that gets the juice behind it to make a sequel … Did other audience members think it was good enough to support a second film? Are the film makers deluded or trying to fix their errors from the first film? Did I leave the stove on? Is the redhead at work flirting with me or does she flirt with everyone? Instead of using gel I wonder if I could use wood glue in my hair and then only have to style it once a week?
I own both of these films. In my opinion the 1978 Dawn of the Dead hurts — it’s poorly made, the make-up looks like garbage, and if the zombie extras were volunteers I would say that they were over-paid. In fairness, this is typical of 1970s zombie films — there weren’t all that $upported.
By contrast, I thought the remake Dawn of the Dead was a considerably better film, but after seeing the extras I think that some of the reenacted lines and details that were cut from the original film would have made the remake better. If you’re watching the 2004 version on DVD, be sure to see the extras about the guy who owns the gun store — oh, and don’t skip the credits at the end of the film.
The premise of both of these films …
At the Dawn of the Dead people wake up and the zombie apocalypse has started. Some people do the journey thing and take shelter in a mall that was closed when the everything started breaking down. On one hand they have everything they need in the mall and everything they didn’t have before, they have things pretty easy … on the other hand, their feeling of security proves to be an illusion when people — living or dead — start to find their shelter.
Don’t bother with Nightmare Alley(2010). My impression of this “film” is that some people in the same low-rent apartment complex got together and made this film — shooting it, acting it, writing it, producing it — everything. There are some zombie cowboys in the first vignette, but the whole thing is maybe at best only worth lining the bottom of a trash can. Nightmare Alley (2010)
BagpiperDon rates Nightmare Alley as . . . Red Blood
Nightmare Alley can be found on IMDb. However, this film is so bad I couldn’t find it on Rotten Tomatoes. Be advised, this Nightmare Alley should not to be confused with the 1947 “Nightmare Alley“ by Tyrone Power.